INTENSIVE SONGWRITING MASTERCLASS WEBINAR  

TAKE YOUR SONGWRITING
TO THE NEXT LEVEL!

27th AUGUST 2021 SOLD..

ONLY THE 26TH AUGUST AVAILABLE

10.30a to 12.30a Pacific time
 6.30 pm GMT

Only 12 spaces are available for one-on-one song analysis - reserve your spot now.
£25 watch and learn spots.
look forward to seeing you online soon. Jud.

What makes a great song? A HIT song? How do you breakthrough as a songwriter?

How are songwriters actually making - or not making – money these days? 

How can you best use your interests and talents to monetize your music?

Collaboration is a HUGE part of the modern music business and anyone who wants to be a professional songwriter.

How does one succeed as a songwriter in today's "real world", not the classroom.

What does it take or even mean to write a "great" song or a "hit"?

 

What can you do to have the best chance of getting your music heard in the modern world? 

​Why is collaboration so helpful both creatively and on a business level. Are you writing hits?  If not, what's missing? 

What do you really need to know about the "business" side of music.

 Why does a song "work" or "not work"

I will provide all the answers and help in all areas:  generating and developing your ideas, lyrics, music, the difference between writing for yourself as an artist and writing for someone else, what makes a great lyric and melody and how to make collaborations work.  I will show how you to avoid the common pitfalls of new and even established writers, such as lyrical cliches and “old” chord structures, and how to be ready when – as often happens – you are called upon to make changes to your music quickly, even in the studio while a song is being recorded.  And always, we will keep our eyes on the ball of writing something that is not only great but also contemporary and commercial.

Join me and lets write that hit song! Jud Friedman.

WRITE THAT HIT SONG

*Six-time Oscar, Grammy, and Golden Globe Nominee for songwriting, with more nominations and awards

to artists who performed songs composed...

65 million record sales.

* Wrote hit single and Oscar / Grammy-nominated

Run to You sung by Whitney Houston in the hit film

"The Bodyguard," and the recent worldwide hit musical.
* Numerous hit songs including #1 on Billboard Hot 100 – “I Don’t Have the Heart” by James Ingram.
* 2016 Grammy Museum night celebrating my writing partner's and my achievements in the music world.
* 5 Most Performed Song Awards from BMI and ASCAP.
* Early songs recorded by star artists Barbra Streisand, Ray Charles, Leann Rimes, Tina Turner, Toni Braxton, Chaka Khan, Rod Stewart, Oleta Adams, Tenors, Gladys Knight, and Dave Koz.

* Two recent #1 singles by Italian superstars Giorgia and Elisa (one the biggest single of the 1st half of 2016).
 

BREAKTHROUGH TO STARDOM

The One-on-One questions are totally up to you but here are some possible areas we can explore:

 

1)What are the most important qualities of a great song or a "hit"?  Are there really any rules? 

 

2How important are lyrics, melody, harmony/chord changes, structure, etc. these days?  

 

3)How does collaboration work and why is it so valuable both creatively and on a business level?

 

4)What is the difference between traditional "songwriting” versus “production” oriented writing,

 

e.g. writing to a track ("toplining")? 

“Jud and I have worked together since the beginning of our respective careers.  

He’s actually one of the first songwriters that peermusic signed after I started with the firm.  The man knows how to write hit songs!  

In fact, he should give lessons on the perfect structure of writing pop hits. On top of his creative talent, he has a wicked intelligence and a great sense of humor.”

–Kathy Spanberger President and Chief Operating Officer, peermusic